(Available on Sunshine Daydream). Nineties pick: Greensboro Coliseum 4-1-91; strong Bruce Hornsby and [keyboardist] Vince Welnick contributions, and some great peaks over its 17 minutes. The slinky, Pigpen-sung “Schoolgirl” gave the early Dead a chance to stretch out on an easy shuffling blues groove, with Garcia and Pig trading licks on guitar and harmonica, and Phil always dancing on top with what was already a formidable bass assault. So why not have “Sugar Magnolia” here? 36. In the end, though, opinions about “best” anything are always going to be completely subjective and also probably change over time. “Lost Sailor” > “Saint of Circumstance”October 10, 1982; Frost Amphitheatre, Stanford University, Palo Alto, California, These two Weir-written nuggets, which date back to the summer of ’79 and were paired until mid 1986, show two sides of Bob’s writing. Here, it drifts evenly for a while, then picks up steam and rides high, before settling back down and eventually chiming into “The Other One.” Available on Red Rocks: 7/8/78. 3 No. “Mississippi Half-Step Uptown Toodleoo”September 3, 1977; Raceway Park, Englishtown, New Jersey. This version of the suite is spectacular, and leads to a long jam where Billy Kreutzmann takes the “Let It Grow” pulse and drives it frenetically in jazzy directions, with Garcia’s wah-wah and Keith’s Rhodes sounding like electric Miles Davis. Seventies pick: County Fairgrounds, Veneta, Oregon, 8-27-72. At this concert Clarence Clemons of Bruce Springsteen's E Street Band played saxophone for the entire show. Rhino's double-disc Very Best of Jerry Garcia is arguably exactly that. Along the way they built the most loyal fan base the music world had ever seen. It’s big, bold and has both punch and crunch. This perky little number took the Dead’s Americana thrust in a slightly new direction, with its nod to old-time jazz, as well as country flavors. “Saint Stephen”February 27, 1969; Fillmore West, San Francisco, This performance, which is the Live Dead version, is what hooked me on the Dead back in November 1969, and though there are many other killer versions, this one still resonates most strongly with me. Then in 1995, Jerry Garcia famously departed for that great gig in the sky. As for the criteria for the choice of songs—most are ones that, over time, were most variable night to night either because of the jamming in them or the intensity of the vocal delivery, or some other elevating force. All tunes selected are lyrical, top-notch in their representation of Jerry's exceptional guitar skills and most feature beautiful examples of his singing voice. BITE launches fur-midable new custom bass, Sick Riffs: Vanny Tonon teaches you his innovative 'Hybrid Slap' technique. Disc 1 is a compilation of tracks from the first 5 Jerry Garcia solo and Jerry Garcia Band albums. Garcia Live Volume Six July 5th, 1973: Lion’s Share (2016) “My absolute favourite of the 7 volumes so far in this series. ... New York City, The Best Of The Rest, October 15-30, 1987 (Album) 2 versions : Jerry Made: JGCD-0003 ... Bands I've Seen Live by Meloski. Admittedly, my favorite “Love Light” is the one from Frankfurt, Germany, 4-26-72 (first released on Hundred Year Hall), on which the band is unflaggingly spectacular—go Keith! Major dissonance/weirdness ensues at around 30 minutes and hits some frightening (but cool!) 4-3. Look for the “SteveSW” soundboard recording on archive.org. 11. Rhino. Chosen by Phil for his Fallout from the Phil Zone compilation. Available on30 Trips Around the Sun. A 2 CD set. “Black Peter”October 29, 1977; Evans Field House, Northern Illinois University, DeKalb, Illinois. Available on Dick’s Picks Vol. Eighties pick: Laguna Seca 7-29-88; a rare later version that includes the “reprise.”. This one bounces and grooves forward with so much vigor and purpose before it falls into a funky jam and eventually ends up at “Not Fade Away.”, 21. We’re going with this 1970 version because of Jerry’s emotional vocal delivery and the snaky, all-too-rare, slide solo that leans heavily on the old country blues lament “Nobody’s Fault But Mine.”. 1 No. My own preferences run toward the driving, high-energy Brent-era versions ’79–’90 (I loved what Brent’s B-3 and backup vocals added), but it’s hard to argue with the primacy of Cornell ’77, which has the unbeatable ending “Fire on the Mountain” jam (but the best-ever “Scarlet” is the amazing Giants Stadium 9-2-78 version). The sound is superb, the band are on exhilarating and blistering form, and Jerry seems at his inspirational best. “Alligator” always led to a mesmerizing rare-for-the time double-drum duel between Mickey and Bill, and the jam after would usually build from a Jerry-plus-drummers noodle to a ferocious full-band boil before dropping eventually into the locomotive rhythm and big crescendos that lace together Pig’s visit to the mysterious Gypsy Woman in “Caution.”. No collection should be without the superb 2013 set called Sunshine Daydream, which includes the full concert and also a DVD of the trippy, long-bootlegged-but-now-restored film of (some of) the event that gives the box its name. Seventies pick: Boston Music Hall, 6-9-76. So I go back to Live Dead again and pluck this one, which has all the cornerstones I love—the crazy double-drumming, Pig at his most confident, band members chiming in on backups, and a crowd going appropriately nuts throughout. Overall, my preference is for Brent-era versions, but there are many, many great ones from 1972 to 1979, and I have to concur with popular opinion that this one from the close of the Keith and Donna [Godchaux, singer] era smokes from beginning (“We used to play for acid/Now we play for Clive”) to the blistering ending jam. “Cassidy”March 28, 1985; Nassau Coliseum, Uniondale, New York. 16. Are you picking up a trend here? Before the Dead experienced 6 minutes ago. Don’t miss it! "Good Morning Little Schoolgirl"February 14, 1968; Carousel Ballroom, San Francisco, CA. This song/jam was only around for about two years, but what a glorious run it had! Enjoy the best Jerry Garcia Quotes at BrainyQuote. “Truckin’ ”May 19, 1974; Portland Memorial Coliseum, Oregon, Another nearly impossible choice, with more than 500 versions to pick from! Nobody sounded quite like Garcia (often imitated, never duplicated), and the same could be said of Bob Weir, whose designation as a “rhythm guitarist” is hopelessly inadequate given the sophistication and depth of his playing. “Eyes of the World”August 6, 1974; Roosevelt Stadium, Jersey City, NJ. Internships. 15. ), 42. Even though this is another tune that was great in every period, only versions from ’73 and ’74 included the amazing, still-unnamed jam that would materialize after a few minutes after the final verse (and following Phil’s dependably monstrous bass solo), in which the group bopped through an intricate series of key and tempo changes, jazzy intricate unison lines that were miles away from the song, and then soared on the “Eyes” groove for several minutes. I’ve rarely encountered a “Wharf Rat” I didn’t love—which is good, because they played it a lot. The one on Live Dead (from 1-26-69) is the most famous (and also great! It contains the complete concert from that date except for the encore, which was "Deal". Though I generally prefer the harmony vocals on the bridge in the Brent-era, the late Seventies versions have a distinctive haunting quality and some crushingly powerful jams. “Here Comes Sunshine”November 30, 1973; Boston Music Hall, Boston, Massachusetts. Available on Dick’s Picks Vol. This 5 LP set salutes one of the most legendary figures in American music, beloved Grateful Dead guitarist, vocalist and eternal goodwill ambassador, Jerry Garcia. From the Eighties, it’s hard to top Augusta, Maine 10-12-84. “Turn on Your Love Light”January 26, 1969; Avalon Ballroom, San Francisco. There are longer and spacier versions, but this has everything it needs. Please deactivate your ad blocker in order to see our subscription offer, The rise, fall and rediscovery of the Fender Jaguar, How to set up a Les Paul: 7 essential tips, (Image credit: Robert Altman/Michael Ochs Archive/Getty Images), Corey Taylor: "I wanted this album to be stacked with the best songs that I have, because you don’t get a second chance to make that first impression", Haunted Labs and Dirty Haggard Audio's Hell Horse is a stallion of a fuzz/delay hybrid, What’s new, Pussycat? 37. Garcia Family Provisions, the Jerry Garcia Official Store, is the place to shop for live releases! So many contenders! Nineties pick: Cal Expo 5-26-93—one of the band’s last truly great jams; the “reprise” comes later in the set. Dark, passionately sung, with a wonderful, if brief, slide guitar solo, and then a completely rip-roaring finale that keeps on building to a sustained climax before it lurches into “Sugar Magnolia.” Look for the soundboard recording on archive.org. 39. [Godchaux keyboards]—but it has almost no Pigpen verbal riffing on it, so it’s not fair to choose it as the version. “Terrapin Station”September 3, 1977; Raceway Park, Englishtown, New Jersey. When “Stephen” came back after a five-year break at this show, it was slower, more delicate and had its “Ladyfinger dipped in moonlight…” bridge turned into a waltz, but it also opened up in ways it never had before. 15. A Chronicle archive look-back at the best of our Jerry Garcia photos. It always built to a couple of nice peaks—the first instrumental and then the vocal coda (“Across the Rio Grande-o…”) and ending solo. 31. 44. SHOWS. It combines a folk sensibility with its famous baroque-ish contrapuntal coda and crunching rock power. 1. 2. This one hits all its marks beautifully, including a nice “landing” after the jam. Available on the Spring 1990 (The Other One) box. Dig that clavinet! By 1969–70, it had expanded to a big jamming number, with all sorts of great R&B riffing (a quote from Archie Bell & the Drells’ “Tighten Up”!) Remembering Jerry: Listen to Jerry Garcia Band Play at The Stone in San Francisco on This Day in 1985 – 8/9/1985 AUD ... Join over 5,000 live music lovers who receive our free daily jam newsletter and score 15% off a new tee or hoodie in our store! Eighties pick: Santa Fe 9-10-83 (“Slipknot!”). Available on Dick’s Picks Vol. Such are the cruel realities of list-making. 3 No. Available onRoad Trips Vol. Jerry Garcia and Friends - San... experienced 6 minutes ago. Available on Anthem of the Sun expanded edition. Yes, the Beatles-ish harmonies were a challenge, but the jams were varied and often tremendous. “Dark Star”February 27, 1969; Fillmore West (San Francisco). 2 No. All rights reserved. After a couple of years of “Scarlet” enlivening any set it appeared in, in March 1977 it was paired with the new “Fire on the Mountain” to become perhaps the most popular combo of songs in Dead history—it was played around 240 times. Eighties pick: Greek Theatre 5-13-83; Seventies tempo, lots of jamming, nice work by Brent; look for the soundboard version on archive.org. Of course there are, and so it is with nearly any tune you’d care to mention that is not here. Stephen” teases in it. Both are wonderful (as are most of these loping ’74s), filled with excellent interplay. What follows is a selection of the best live versions of 50 songs by the Grateful Dead (and a few cover tunes) spanning their history. Howard Wales, the experimental jazz keyboardist best known for his work with Jerry Garcia on 'Hooteroll? This is another winner from the dynamite Englishtown show. 14:32 PREVIEW Catfish John (Live) 2. Eighties pick: “Let It Grow”: Alpine Valley 8-7-82. This version is the titan of them all! The very best of Jerry Garcia sealed. The song part is fairly similar one to the next, but the two jams at the end are where the fireworks occur. 33-32. A couple of final notes: The songs are listed in chronological order by performance date. Their usual bass player, John Kahn, was not present. meltdown moments along the way; 32 minutes in all and truly epic! The jam in between the two songs is completely magical, quoting “China Cat,” dipping in to a “Dark Star”–ish space briefly, and flitting into all sorts of other interesting realms. The version 10 days earlier from Des Moines, Iowa, (6-16-74) has a slightly better “China Cat” and a cooler between-songs jam, but Providence has a fantastic long intro to “China Cat” and better “I Know You Rider,” so we’re going with that choice. The best Eighties versions of this Weir tune, also from 1975’s Blues for Allah, have a ragged majesty and intensity that is unmatched by earlier ones. Performing from 1965 to 1995 with guitarist and songwriter Jerry Garcia, the Dead survive through a vast body of live recordings, originally traded by … The interplay between Garcia (again with the envelope-wah) and Weir (who artfully employs a phase-pedal wah and octave divider in the middle of the jam) is deliciously rhythmic, and Brent adds much with his keyboards as well. Spanning over thirty years, thousands of shows, countless memories, and infinite jams—Jerry was a beacon for generations. We hate spam as much as you do! “Dancing in the Street”May 2, 1970; Harpur College, Binghamton, New York. Fortunately, the Dead had the largest archive of live tapes of any band ever, so there is much to draw from. Speedy and adventurous, this one has a searing middle jam and then a really long ride before the final vocal reprise—which doesn’t materialize! Guitar World is part of Future plc, an international media group and leading digital publisher. And this is easily Garcia’s best-ever vocal on the song. With this song, it’s all about Garcia’s vocal delivery and swelling, crying solo after the verses, and this one delivers in spades! LP 3-5 are Live recordings. BA1 1UA. Join over 5,000 live music lovers who receive our free daily jam newsletter and score 15% off a new tee or hoodie in our store! For “Goin’ Down the Road” it’s gotta be Fillmore East 4-29-71, coming out of an exquisitely constructed jam that has “China Cat” and “St. 29. Available on Dicks Pick’s Vol. 18. In the Eighties, the trio of Jerry, Bobby and Brent always did a nice job on that vocal coda. “He’s Gone”May 26, 1973; Kezar Stadium, San Francisco. At this show it comes out of 30-minute “Dark Star,” so it feels like it has a little extra juice and sparkle to it. Jerry’s Story experienced 15 minutes ago. 12. Not too short, not too long, this one feels juuust right. Grateful Dead Poster 1973-10-19 experienced 17 minutes ago. Outside the realm of the Dead, Jerry pursued a broad array of folk, bluegrass, blues, and roots rock side projects that enriched his storied career. Performances I remember enjoying by consort. My favorites are from ’76-’77, with Donna on sweet harmony vocals and Keith adding little piano touches to the spare arrangement. It could be argued that this heavy, affecting ballad, introduced in the summer of 1972, is the single most perfect work that Garcia and [lyricist] Robert Hunter ever wrote, its power never diminishing through the years. “Scarlet” alone pick: Fresno 7-19-74. [Keyboardist] Bruce Hornsby loved playing (and teasing) “Dark Star” during his tenure, and this is my favorite with him—long, weird and noisy pre-“Drums” with lots of Garcia MIDI, a totally hypnotic “Drums,” and then a short, tasteful reprise (second verse). 31. Or “Touch of Gray”? 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