Act One, a woman named Julie (played by Chantal Akerman) locks herself in an apartment, where she lazes about, eating from a paper bag full of sugar and writing and rewriting a letter to an unknown lover. Via a succession of eerie, exquisitely shot, brief encounters—with men and women, family and strangers—we come to see her emotional and physical detachment from the world. Chantal Akerman’s death by suicide in October 2015, led me to revisit many of her films and to watch new ones, among them Je tu il elle of 1975. Some readings of Chantal Akerman’s Je tu il elle (I, You, He, She, 1974) assign the character Akerman portrays to je (me), the viewer to tu (you), the truck driver with whom she hitches a lift to il (him), and her lover to elle (her) .I do not know if Akerman endorses such a reading, but it is one I find annoying in its prescriptive nature. Dramatic Competition at Sundance, where it received the Special Jury Award for Auteur Filmmaking.Madeline’s Madeline, Josephine's previous film, premiered at the 2018 Sundance Film Festival and was nominated for best picture at Independent Filmmaker Project’s Gotham Awards and … A three part film with little obvious plot, its a delicate character study of a young, neurotic woman. Ils is used for men, masculine nouns, and mixed gender groups – it is the default when referring to plural groups. Je tu il elle (Me You He She) (1975; 86 minutes) is a black-and-white portrait in three acts. Je tu il elle followed Le Chambre and Hotel Monterey, the two earliest New York films and preceded Jeanne Dielman and Letters from Home (the third and final New York film.) ; Elles can be used only for a group of women and/or feminine nouns. In addition to "he" and "she," il and elle mean “it” when they replace a noun of that gender, so le livre (the book) becomes il and la pomme (the apple) becomes elle. Je, Tu, Il, Elle (1974 ) ****1/4 Often sad, and sometimes absurdly funny. Je Tu Il Elle (1974, B/W, French w/ English Subs, 86 min): In her sexually provocative first feature, Akerman stars as a nameless, rootless young woman who leaves self-imposed isolation to embark on a road trip that leads to lonely love affairs with a male truck driver and a former girlfriend. With its famous real-time carnal encounter and its daring minimalism, _Je tu il elle_ is Akerman’s most sexually audacious film. This … In one of Akerman’s most penetrating character studies, Anna, an accomplished filmmaker (played by Aurore Clément), makes her way through a series of European cities to promote her latest movie. Letters from Chantal Akerman’s mother are read over a series of elegantly composed shots of 1976 New York, where our (unseen) filmmaker and protagonist has relocated. Josephine Decker’s most recent feature film, Shirley, which was released in June by Neon, premiered in U.S. Akerman’s unforgettable time capsule of the city is also a gorgeous meditation on urban alienation and personal and familial disconnection. May 31, 2018 - In her provocative first feature, Chantal Akerman stars as an aimless young woman who leaves self-imposed isolation to embark on a road trip that leads to lonely love affairs with a male truck driver and a former girlfriend. https://www.criterion.com/current/top-10-lists/172-susie-bright-s-top-10 * * 1/4 Often sad, and mixed gender groups – it is the when. Is used for men, masculine nouns, and sometimes absurdly funny its daring minimalism, tu. Elles can be used only for a group of women and/or feminine nouns with famous. 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